However, the second scene is a glaring plot hole as it features reversed dialogue between her and the man she was talking to within her memories in the first scene even though it makes no sense for her to be an Unreliable Narrator to herself. Yoriko has an inner monologue about how she's been alone for a long time that is later expanded upon by a flashback.Kuramoto once tells Alice about how the student council president Sara has been treating her like a sex slave, but a later flashback shows them in reversed roles, as Kuramoto herself was the abusive one with brainwashing powers who date-raped Sara.Given the nature of this trope usually ends up being The Reveal, beware of spoilers. In mystery stories this tends to crop up during The Summation. If you thought that this trope was about characters repeating exposition in a straighter way, see To Make a Long Story Short and Let Me Get This Straight. Can overlap with Flashback-Montage Realization and Necro Cam. Again, compare with Rewatch Bonus, in which the same scenes have a different meaning on a second viewing of the work, perhaps because the Twist Ending changed your perception of earlier events. Not to be confused with 'Rashomon'-Style, which is multiple tellings of one story from various (warped) perspectives, or Cliffhanger Copout, in which the established facts are changed rather than reinterpreted. It can also overlap with In Medias Res, but only if the first showing of the scene is the opening scene, and the content of the scene remains the same in all showings. Once More With Clarity often repeats more than one scene, and they can be superficially unremarkable at first, until they are imbued with more meaning or emotion once the viewer understands what they mean. How We Got Here usually starts the entire story with a single dramatic situation (like the heroes pointing handguns at each other) and then explains how things got to that point. This trope can overlap with How We Got Here, but the emphasis is slightly different. Now could we please end the flashback and get on with the story? The gun she's using is the one her father was killed with? Yeah, considering its unique look, we gathered as much when we saw it for the first time in both scenes. Used clumsily, this will be seen as obvious and unnecessary. If the reinterpretation is made immediately (by changing the camera field), it's a Reveal Shot.

Also see Fridge Brilliance and Rewatch Bonus, the times you see these important points upon reviewing prior scenes without the author's help. See Chekhov's Gun and its related tropes for the seemingly-unimportant details that are shown to be important the second time around. A frequent variation of this happens during a reveal that a character's perception of an event has been altered by a hallucination or Fake Memories: the first appearance of the scene is from the character's point of view, but once the audience discovers that's not what really happened, the scenes are shown again, but replaced with the truth. Sometimes the scene is extended or re-shot from a different perspective to show the newly-revealed meaning. Other times, it’s a quick series of scenes to show how much each of those moments meant to the character. Sometimes the scene is shown again the exact same way as it was shown the first time, with the only difference being the audience's new understanding of what it meant. When the scene occurs again, it is shown to have a different meaning entirely. The first time the audience experiences it, the scene seems to mean one thing. In a work, a specific scene is shown twice.

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